The entrance is barely marked – a graffiti-covered door next to a supermarket on Skalitzer Straße that looks more like a service entrance than a cultural institution. It leads to a steep, narrow staircase that eventually opens into a bright, spacious loft. Once inside, the rule is simple: touch everything. While most instrument museums keep their inventory silent behind glass, this private collection is fully wired and playable.
The layout moves chronologically – guiding you from the analog giants of the 1970s through to modern digital systems. You’ll find heavy hitters from Roland, Korg, and various Soviet and American manufacturers arranged on tables, ready for experimentation. The space functions less like a gallery and more like a communal studio. There are six dedicated recording stations with analog mixing consoles, and you can purchase a USB drive on-site to capture whatever you create during the visit.
It is a hands-on environment where patching cables and tweaking filters is the main activity, and the room tends to fill with people focused intently on the gear in front of them. Because capacity is strictly limited to keep the equipment accessible, booking a specific two-hour time slot online is mandatory – the museum will even email you a photo of that obscure front door to make sure you actually make it inside.